In her concert in the Elbphilharmonie Recital Hall, she contrasts two piano sonatas from the 20th century by Dmitri Shostakovich and Pierre Boulez before she rounds off the evening by improvising together with her jazz ensemble SDLW – an exciting piece of bridge building between form and freedom.

Shostakovich’s former piano teacher described his first piano sonata as a »sonata for metronome to the accompaniment of piano«. Experimental, harsh and dissonant, this virtuoso work conveys a feeling of constant movement and, at the same time, grapples with the Russian and western avant-garde. It was a showpiece of the then 20 year old, who repeatedly played it in concert himself.

Pierre Boulez’s Second Piano Sonata also fits the motto of the International Music Festival »Future«: the French composer wrote a traditional sonata form for the last time – only to break with it and explore new, untrodden paths: »After the Second Piano Sonata, I never referred to a past form again. I always found a form that was conceived with the idea itself.«